Born in Obregon City, Sonora. Emilio Rama is an autodidactic artist who has been trained in workshops and diploma courses with internationally renowned artists such as Patrick Petterson, Gustavo Villegas, Marco Lamoyi and Ramses de la Cruz among others.
Emilio Rama's work projects his feelings about a consumerist society saturated with entertainment, a face of Lipovetsky's hypermodernity that dictates a behavior centered on the lightness of the moment and enjoyment as the main factor of today's life.
Emilio's works are not merely a banner of protest, but rather, an amusing face rich in textures and aesthetic charge in both color and form, the confrontation between the honesty and respect needed to make delicate pieces of origami are confronted with the corporate image of large transnational corporations and images of mass media characters.
Emilio has presented his work in spaces inside and outside Mexico, he was selected in the I Biennial of art Queretaro Santangel, as well as beneficiary of the program to promote artistic creation by the Institute of Culture and the Arts of the state of Queretaro, has participated in urban art festivals such as Boarddripper and Arte Nueve Urbano, as well as in the Affordable Art Fair in Mexico DF.
Emilio Rama´s work of art combines elements of origami and popular culture represents an interesting fusion of traditional and contemporary cultural values and aesthetics. His paintings typically combines the precision and intricate designs of origami with elements of popular culture, such as popular movie characters, comic book heroes, or other recognizable figures from popular media.
Such works of art represent a unique expression of creativity and cultural awareness, as the artist is taking traditional techniques and combining them with contemporary cultural references to create something new and unique. This type of art often reflects the changing nature of cultural values and aesthetics, as well as the way in which popular culture shapes and influences our perceptions of the world.
From a technical perspective, the combination of origami and popular culture can require a great deal of skill and precision, as the artist must balance the demands of traditional origami techniques with the demands of representing familiar and recognizable figures. This requires a deep understanding of both the art of origami and the cultural references being used, as well as the ability to execute complex designs and shapes with accuracy and attention to detail.
In terms of interpretation and meaning, a work of art based on origami figures combined with elements of popular culture can have a variety of interpretations and messages, depending on the specific references being used and the context in which the work is created and presented. It may serve as a commentary on the role of popular culture in shaping our values and perceptions, or it may be used to explore the relationship between tradition and contemporary culture.
Overall, a work of art based on origami figures combined with elements of popular culture represents an interesting and thought-provoking fusion of cultural and aesthetic values, reflecting the creativity and diversity of contemporary art.
The graphic composition of his paintings reflects the fragility of our environment and our tendency to overuse resources by presenting conventional objects as paper figures. However, Rama’s works are not all about protest, they are instead meant to be fun, rich in texture, colors, and figures.